If you add the Salem Witch trails and the French and Indian War, this summary pretty much covers the average American’s vision of the century and a half that passed between the landing at Plymouth Rock and the fireworks of July 4, 1776. It’s what might be called the Thanksgiving Myth — and it’s not wildly off base as far as it goes. But some important context is missing. This is a problem, because a nation’s foundational mythology determines its self-image and deeply affects the behavior of its government and citizenry.
From 1616 to 1619, a series of virgin-soil epidemics spread by European trading vessels ravaged the New England seaboard, wiping out up to 95 percent of the Algonkian-speaking native population from Maine to Narragansett Bay. The coast was a vast killing zone of abandoned agricultural fields and decimated villages littered with piles of bones and skulls. This is what the Pilgrims encountered when they landed at Plymouth Rock in 1620. Not a pristine wilderness, but the devastated ruins of a once-thriving culture, a haunting boneyard which English libertine Thomas Morton later described as a “newfound Golgotha.”
The collision of worldviews is almost impossible to imagine. On the one hand, a European society full of religious fervor and colonizing energy; on the other, a native society shattered and reeling from the greatest catastrophe it had ever known. The Puritans were forever examining their own spiritual state. Having come to America with the goal of separating themselves from polluted forms of worship, a great deal of their energy was focused on battling demons, both within themselves and at large in the world. Puritan clerics confused the Indian deity Kiehtan with God, and they conflated Hobbamock, a fearsome nocturnal spirit associated with Indian shamans, or powwows, with Satan. Because of this special connection many Puritans believed that the powwows, and by extension all the New England Indians, were bound by a covenant with the devil. Indians thus became symbolic adversaries, their very existence a threat to the Englishmen’s prized religious identities.
Meanwhile, the Great Migration of the 1630s was bringing in thousands of new colonists, many of them younger siblings shut out of an inheritance back in England, who were hungry for the opportunity to become property owners in their own right. There was a great need for more land. And so, tragically – and not for the last time in American history – self-interest, fear, and deep-seated ideology coincided. Indian-hating became the fashion. Religious piety provided a motive for armed violence.
In May of 1637, colonists from Connecticut and Massachusetts Bay, with a group of their Indian allies, set fire to a fortified Pequot stronghold on the Mystic River. An estimated 700 Pequots perished, mostly women and children, and the few survivors were shipped to Bermuda and sold into slavery. On the heels of the virgin-soil epidemics that had decimated the native population, the ghastly specter of genocide had reached the shores of America. In 1675, bloody King Phillip’s War put the finishing touches on what was more or less the total extermination of the eastern woodland Indians.
It is an inescapable fact, therefore, that this proud country was born in the aftermath of a shameful ethnic cleansing that is largely absent from the collective memory. It behooves us to refresh that memory. How would the current debate over immigration change, for example, if it were to be conducted in the light of a more honest consideration of our own deepest origins? Would self-righteous distinctions about “legal” vs. “illegal” immigrants have the same emotional currency? Recent popular histories such as Nathaniel Philbrick’s Mayflower and Jill Lepore’s The Name of War have taken us some distance in this process of revision, but we need to keep telling ourselves the true story until it is enshrined in our national consciousness. It’s high time we updated the Thanksgiving Myth.
Tim Weed is the winner of a Writer’s Digest Popular Fiction Award and a featured expert for National Geographic Expeditions in Cuba, Spain, and Patagonia. His work has appeared in Colorado Review, Gulf Coast, Writer's Chronicle, Backcountry Magazine, Nantucket Magazine, National Geographic's Intelligent Travel, and elsewhere. Kirkus Reviews has called his debut novel, Will Poole’s Island (2014), a "riveting portrayal of early Colonial New England.” Read more at timweed.net.